Tarot Cards

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The Rider-Waite Deck

This is my favorite deck. It's the deck I was taught with and have used since I was 23.

Tarot divination became increasingly popular from 1910, with the publication of the Rider-Waite-Smith Tarot (designed and executed by two members of the Order of the Golden Dawn), which replaced the traditionally simple pip cards with images of symbolic scenes. This deck also further obscured the Christian allegories of early decks by changing some attributions (for instance changing "The Pope" to "The Hierophant" and "The Popess" to "The High Priestess"). The Rider-Waite-Smith deck still remains extremely popular in the English-speaking world.

Since then a huge number of different decks have been created, some traditional, some vastly different. The use of Tarot for divination, or as a store of symbolism, has inspired the creation of Oracle card decks. These are card decks for inspiration or divination containing images of angels, fairies, goddesses, Power Animals, etc. Although obviously influenced by Tarot, they do not follow the traditional structure of Tarot; they lack any suits of numbered cards, and the set of cards differs from the traditional major arcana.

Tarot reading revolves around the belief that the cards can be used to gain insight into the current and possible future situations of the subject (or querent), i.e. cartomancy. Some believe they are guided by a spiritual force, such as Gaia, while others believe the cards help them tap into a collective unconscious or their own creative, brainstorming subconscious.

Interpretations have evolved together with the cards over the centuries: later decks have "clarified" the pictures in accordance with meanings assigned to the cards by their creators. In turn, the meanings come to be modified by the new pictures. Images and interpretations have been continually reshaped, in part, to help the Tarot live up to its mythic role as a powerful occult instrument and to respond to modern needs.

See, for example, the Rider-Waite-Smith deck Strength card. We can know more about the symbolic intentions of the designer here, since he conveniently wrote many books on the subject on occultism and symbolism and a handbook specifically for this deck titled The Pictorial Key to the Tarot (1910). As with its ancestor in the Tarot de Marseilles, the Strength trump shows a woman holding the jaws of a lion, but the Rider-Waite-Smith picture is far more elaborate. The woman's hat of the Marseilles card has been interpreted as a lemniscate: the sideways-figure-eight representing infinity, or, according to Waite, the Spirit of Life. Other symbols are included: a chain of roses symbolizing desire or passion, against a white robe symbolizing purity. The mountains in the background demonstrate another kind of strength.

The oldest surviving tarot cards are three early to mid 15th century sets, all made for members of the Visconti family. The first deck is the so called Cary-Yale Tarot (or Visconti-Modrone Tarot), which was created between 1442 and 1447 by an anonymous painter for Filippo Maria Visconti. The cards (only sixty six) are today in the Yale University Library of New Haven. But the most famous of these early tarot decks was painted in the mid 15th century, to celebrate the rule of Milan by Francesco Sforza and his wife Bianca Maria Visconti, daughter of the duke Filippo Maria. Probably, these cards were painted by Bonifacio Bembo, but some cards were realized by miniaturists of another school. Of the original cards, thirty five are in the Pierpont Morgan Library, twenty six are at the Accademia Carrara, thirteen are at the Casa Colleoni and two, 'The Devil' and 'The Tower', are lost, or possibly never made. This "Visconti-Sforza" deck, which has been widely reproduced, combines the suits of swords, batons, coins and cups and the court cards king, queen, knight and page with trump cards that reflect conventional iconography of the time to a significant degree.

For a long time tarot cards remained a privilege for the upper classes, and, although some sermons inveighing against the evil inherent in cards can be traced to the 14th century, most civil governments did not routinely condemn tarot cards during tarot's early history. In fact, in some jurisdictions, tarot cards were specifically exempted from laws otherwise prohibiting the playing of cards.

The Major Arcana

0 - The Fool I - The Magician or Juggler II - The High Priestess III - The Empress IV - The Emperor V - The Hierophant VI - The Lovers VII - The Chariot VIII - Strength IX - The Hermit X - Wheel of Fortune XI - Justice XII - The Hanged Man XIII - Death XIV - Temperance XV - The Devil XVI - The Tower XVII - The Star XVIII - The Moon XIX - The Sun XX - Judgement XXI - The World

pics from Learning the Tarot - ©1995-2007 by Joan Bunning

The Major Arcana (Trumps Major, Major Trumps) of occult or divinatory tarot consists of twenty two cards. The name Major Arcana was first used by Jean Baptiste Pitois.

Each Major Arcanum depicts a scene, mostly featuring a person or several people, with many symbolic elements. In many decks, each has a number (usually in Roman numerals) and a name, though not all decks have both, and some have only a picture. The earliest decks bore unnamed and unnumbered pictures on the Majors (probably because a great many of the people using them at the time were illiterate), and the order of cards was not standardised.

The images on the Major Arcana are often very heavy with symbolism, with far more to the illustration than a mere depiction of the card title. The Major Arcana are usually regarded as relating to matters of higher purpose or deep significance, as opposed to the Minor Arcana which relate to the everyday world and matters of immediate significance

Sources:
en.wikipedia.org
jk's Tarot FAQ
Tarot America
Learning the Tarot - An On-line Course
my own experience
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The Minor Arcana | My Significator Card - The Queen of Pentacles | Tarot Cards

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